Onwards!

The Orlando Sentinel and The Orlando Weekly says 'Onwards!' is a "Pick Of The Festival"

Orlando Weekly:  "Self-described “opera busker anarchist” Bremner Fletcher Duthie always wanted to sing and act, but he’d almost abandoned his art after endless dispiriting auditions, until his wife encouraged him to perform a one-man show at “one of those weird festivals.” Twenty-five years later, Bremner gratefully credits Fringe with saving his life, and he’s repaying the debt by delighting Orlando audiences with his indescribable combination of pitch-dark stories and sunshiney songs. 

Dressed in a grey pinstripe suit with a vibrant yellow shirt and scuffed Converse, surrounded by foot-trigger floor lamps, Duthie introduces Onwards! with a string of original songs that sound at first like they could have slipped out of the 20th century’s Great American Songbook. But upon a closer listen, they overflow lyrically with mischievously mixed metaphors, merging carnival claptrap and the Egyptian Book of the Dead with Warner Bros’ disturbingly prescient 1977 shareholder statement … and that’s just in the first 20 minutes. 

Like an old-timey crooner with an operatic baritone, Duthie is equally at home standing behind a vintage microphone stand or showing off his dynamic clown-like physicality in front of it. He’s stressed out about social media, the rise of A.I. and the decline of American democracy; he expresses his anxieties in the form of a toe-tapping blues tune,or a Suno-generated anthem to the absence of choice. Whether he’s performing a Gilbert and Sullivan patter paean to his patron’s perverse peccadillos or whistling a gentle ballad written for his late mother, Duthie encourages his audience to make the choices that make you happy and move defiantly onward, no matter what our sociopathic tech-bro overlords might do. 

In these crazy times that we live in, it’s easy to feel like you’re always at the wrong time and in the wrong place. But Duthie’s deliriously delicious delight of a show reminds us that if we’re all in this mess together, we might as well sing along while our shipwreck of a world slowly sinks beneath the waves."

ONWARDS, because we’re all hurtling through the chaotic balancing act of life vs robots. Dark comedic storytelling, stand-up + virtuoso singing by opera busker anarchist Bremner. Comic songs, sentimental songs, angry songs and stupid songs, sung with 100% human artifice. Depending on the timeline, this is a concert, a therapy session or a situationist revolution about how we’re all muddling through this absurd business of being human.

ONWARDS follows in the tradition of work that I’ve been doing for 20 years. Over the past decades, I have been exploring New Cabaret, creating performance pieces that are an emotional collage of ideas and songs. Critics have said "Duthie is a baritone with operatic scope; instead of mere interludes, the songs become weapons”—See Magazine, Canada.

Songs that are funny until they’re suddenly not, and occasionally profound until they’re suddenly stupid. Monologues that shift from irreverent comedy to tender confession. Onwards! is a solo performance about being human in our all-too-artificial world. I play the guitar quite loud, and then very soft, and try to make people feel more alive than they did when they walked in.

Bremner says: “I'm committed to confronting the contradictions of modern life, in song. Which is by very definition, absurd. But like the Theatre of the Absurd, maybe the only artistic response to fascism is a fake rhinoceros head or a song sung by everyone in the room. Times like ours demand all the emotional authenticity we can muster, because the news headlines have become their own form of insanity.”


In Montreal now at White Walls Studio, 4532 Av. Laval, Montréal

Tickets: $19

SCHEDULE:

Friday 5th, 6pm

Saturday 6th, 9:30pm

Sunday 7th, 6:30pm

Wednesday 10th, 8:00pm

Thursday 11th, 9:30pm

Saturday 13th, 9:30pm

Sunday 14th, 4:30pm